Cecilia Loftus | |
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Postcard of Cecilia Loftus (circa 1903) |
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Born | Marie Cecilia Loftus Brown 22 October 1876 Glasgow, Scotland |
Died | 12 July 1943 New York City, New York, U.S. |
(aged 66)
Other names | Cissie, Cissy |
Occupation | Actress, singer, vaudevillian |
Years active | 1893–1941 |
Spouse | Justin Huntly McCarthy (1893–1900) Alonzo Higbee Waterman (1908–1920) |
Cecilia "Cissie" or "Cissy" Loftus (22 October 1876 – 12 July 1943) was a Scottish actress, singer, mimic, vaudevillian and music hall performer in the late 19th and early 20th centuries.
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Loftus was born Marie Cecilia Loftus Brown in Glasgow, Scotland. Her father, Ben Brown (1848 - 1926), was part of the successful variety group, Brown, Newland & Le Clerc. Her mother, Marie Loftus (1857–1940), an actress, pantomimist and music hall performer, who was only 18 years old when Cecilia was born, later became a star of burlesque, billed as The Sarah Bernhardt of the Halls.
She was given a convent education at St Mary's School, Raikes Parade, Blackpool, England which moved in 1890 to the premises at Layton Hill Convent, Blackpool which it still occupies although now, after various name changes, splits and mergers, it is known as St. Mary's Catholic College. In July 1893, 17 year-old Cissy Loftus made her début at the Oxford Music Hall in London. After an early career in music hall and variety performing impersonations of well-known actresses of the day, such as Yvette Guilbert, she appeared at the Gaiety Theatre in musical comedy for one season.
In 1894, she appeared in vaudeville at the Lyceum Theatre in New York City. Loftus toured with the Ada Rehan Company and the Augustin Daly Company before she first appeared at Koster & Bial's on January 21, 1895. With the Rehan troupe she played Washington, DC, St. Louis, Missouri, and Chicago, Illinois as "Miss Cecile" in a playbill. Her exit from Daly's organization occurred after Loftus was offered larger salaries in New York City. Other roles she played prior to 1895 were "Winnie" in The Last Word and "Audrey" in Love's Labour's Lost. Critics did not speak kindly of her work in these parts, to her dismay.[1] Loftus became an international favorite in vaudeville along with Vesta Tilley and Harry Lauder.[2]
She then began to appear in the legitimate theatre, appearing in The Children of the King at the Royal Court Theatre, in 1898. The following year she returned to the United States to tour in vaudeville and was seen by Sir Henry Irving in 1901 at the Knickerbocker Theatre. He was so impressed that he engaged her to appear with him in the roles that Dame Ellen Terry could no longer play. She later toured with Irving, although the earnings were not as great as those on the music hall circuit. In 1905, she successfully essayed the very serious role of Nora in Henrik Ibsen's A Doll's House. The next year she toured with The Diamond Express and appeared at the Royal Variety Performance at the Palace Theatre in 1912. In 1914, Loftus played the part of Desdemona in Othello at the Lyric Theatre (New York).[3]
Loftus also appeared in cinema from the 1910s to the 1940s, with roles that included Clorinda Widairs in A Lady of Quality (1913), Mrs. Sinclair in Young Sinners (1931) and Granny Tyl in The Bluebird (1940).
She had a successful career both in burlesque, as an accomplished mimic, and on Broadway. Some of the productions she appeared in are The Man of Forty (1900), If I Were King (1901) by her husband Justin Huntly McCarthy, Hamlet (1903) with E.H. Sothern, the Victor Herbert operetta Dream City (1906), Venus (1927) with Tyrone Power, Sr., Three-Cornered Moon (1933) with Ruth Gordon, Clare Boothe Luce's Abide With Me (1935), and Little Dark Horse (1941).
As Cissie Loftus, she wrote lyrics and music for songs in a number of productions, including The Belle of Bridgeport (1900) and The Lancers (1907).
When she was seventeen, she eloped with Justin Huntly McCarthy (1859–1936), an Irish writer, and associate of her friend and admirer Max Beerbohm. They married in Blackburn, Lancashire in 1893. The groom was twice as old as the bride. The marriage failed, and the couple divorced.
In 1908, she married Alonzo Higbee Waterman, an American doctor, by 1914 both her marriage and health were in a perilous state, and an acrimonious divorce ensured in 1920. Her health and the premature birth of their son, Peter, had made her increasingly dependent on alcohol and painkillers. In November 1922, she was arrested for possession of morphine and atropine.
Her fellow actress, Eva Moore bailed her for a surety of £100, and she was put on probation for twelve months at the Great Marlborough Street Magistrates Court. In 1923, she left Great Britain for good, and sailed to New York City to return to Broadway and pursue a career in Hollywood.
Cecilia Loftus died from a heart attack and the effects of alcoholism at the Lincoln Hotel in New York City, on July 12, 1943, aged 66. Her mother had predeceased her by only three years.
She is buried in Kensico Cemetery, Valhalla, Westchester County, New York, in a plot owned by the Actors' Fund.
Her father, the comedian Ben Brown (1848 - 1926) was commemorated in 2011 by The Music Hall Guild of Great Britain and America with a blue plaque at his former home in Crystal Palace.